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| Return
to Up Close: BOFA Profiles |
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| LIVING WHERE |
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| I am currently living in Toronto, Canada, and am beginning
to dip my feet in Los Angeles, and London, England. |
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| AFTER CANTERBURY |
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After CHS, I went to Concordia's 3-year- Theatre Performance
Program in Montreal, Quebec.
I participated in the creation of a number of plays that were staged during
my time there, as part of the program.
Other training:
Winston Sutton, Lucy Bertrand, Louis Guillmette, Joel Miller, Bryan Dooley,
Jean-Francois Gagnon, Neil Freeman, Bonnie Raphael, Joseph Chaikin
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| PERFORMANCES |
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| FILM AND TELEVISION: |
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| Spinning Out Of Control |
Supporting |
E!Entertainment/Richard Martin |
| Crash Course |
Supporting |
Lifetime/Tom Rickman |
| The Ride |
Lead |
Showcase/Steve DiMarco |
| Our Hero |
Recurring |
CBC |
| Wings Of Hope |
Supporting |
Touchfilms/Raj Basu |
| Radio Active |
Lead |
TeleAction |
| Behind The Scenes |
Guest Star |
Comedy Network/Kate & Jane Ford |
| GoodWill Hunting |
Actor |
Miramax/Gus Van Sant |
| From Garbage... |
Principal |
Disney/ABC/Tim Kelleher |
| Platinum |
Co-Lead |
Showcase/CBC/Bruce McDonald |
| Balls Up |
Co-Lead |
City-TV/Norflicks/Alan Erlich |
| Everything To Gain |
Principal |
CBS/Michael Miller |
| Hollow Point |
Principal |
Sidney Furie |
| Rainbow |
Principal |
Filmline/Bob Hoskins |
| For Better or Worse |
Lead |
Gerald Tripp/L. Johnson |
| Teen Machine |
Lead |
CHRO/Linda Prichett |
| You Can’t Do That... |
Regular |
Nickelodeon/Roger Price |
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| THEATRE: |
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| A Perfect Ganesh |
Ganesh |
Vancouver Playhouse/MTC |
| Romeo & Juliet |
Tybalt |
Canadian Stage/Josie LeGrice |
| Peer Gynt Project |
Peer, etc. |
Theatre Columbus/L. Cherniak |
| Where Is Kabuki |
Appr. Playwright |
Factory Theatre/J. Lambermont |
| Mango Chutney |
Sen/King |
Nightwood Theatre/D. Roberts |
| Faust |
Valentine |
Equity Showcase/Hans Engel |
| Love & Other Games |
Brian |
Centaur/J. Miller |
| Snakes & Ladders |
Luis |
Youtheatre/Micheline Chevrier |
| Twelfth Night |
Feste |
Repercussion/Henry Tarvainen |
| Macbeth |
Banquo |
Repercussion/Jack Langedyk |
| Midsummer Night’s |
Oberon |
Mt. Royal Shakes/Rachel Ditor |
| Midsummer Night’s |
Puck |
Another Shakes/Brigid Panet |
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| WHAT ELSE YOU DO |
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| The only real thing I do outside the business is spend time
at the gym. I've been boxing training for a couple of years now. Grueling,
brutal, brilliant. |
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| RELATIONSHIPS |
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| Many relationships with different women, lots of great heart-ache,
nothing permanent...yet. |
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| FAVOURITE MEMORIES |
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| Remembering the days of Bofa isn't anecdotal for me. It's,
now bear with me, okay?, more like little lightning flashes of feelings
and smears of light, as I turn my head. And it feels impossible to write
about those feelings -- or maybe I don't want to, don't want to change the
way they sit in me. Seriously. When I was on stage competing, there really
was no thought. I wasn't ever saying to myself, "Okay, what can I do
now that's funny, or that helps the team?". I don't remember performance
that way, as silly as that sounds. I have nothing to really add, because
there was absolutely no moment of decision. It was a blind, instinctual
(I'm guessing) flash. I have no real memory of being on stage. No concrete
retrospect of what was going on out there. I don't even remember the audience
laughing or not laughing.
...if I was forced to pick a fond memory of the Bofa days, it would have
to be the moment, after playing the hyper librarian who had to, in the
end, build a statue of himself, out of himself in the character game in
the Improv finals, I was hoisted into the air and the cast came together
in a crazed group hug, suddenly bringing me out of my game-daze. It was
a great moment for me to look around and see the team smiling and cheering
together. Our team was a team full of leaders who often fought bitterly
because we all thought we had brilliant ideas, and it was one of the first
times I could see and feel how much we really were a tight, hilarious,
out of control, exquisite family.
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